Maceo Parker
"The Soul of
the Black Man"
I believe that the first "funk" that we know and
love began when Maceo Parker
joined JB's band, and the two began performing. (their first recording was
'new bag')
Rickey Vincent
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Born in Kinston, North
Carolina, in 1943, Parker was nurtured by a home environment rich with music.
"My father played piano and drums and sang in church, and my mother sang
in the church. They both could dance and keep up with the latest thing happening.
Before we were teenagers, my brothers, Melvin and Kellis, and I had chosen
our instruments (drums, trombone and saxophone, respectively)." |
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Bag" and "Cold
Sweat" made him a household name among '60s funk fans -- not bad for a
kid fresh out of college who got the gig primarily because Brown coveted his
brother Melvin's drumming chops. Now Parker is a star in his own right. His
recent Verve albums "Roots Revisited" and "Mo"
Roots" impeccably spotlight his soul-drenched alto sax on a sizzling
hybrid of funk, R&B and jazz. And he's brought along his ex-section mates
from Brown's band -- trombonist Fred Wesley and saxist Pee Wee Ellis -- to
stoke the almighty groove. The North Carolina product quit Brown several
times. Along with his bandmates, Parker mutinied in 1970 to form Maceo and
All the King's Men, only to return to the fold three years later; later in
the decade, he worked with Parliament/Funkadelic and Bootsy's Rubber Band.
But when Brown was incarcerated, Parker was there for him, releasing a rap
song that urged the Godfather of Soul's immediate freedom.In 1990 the album
'Roots Revisited' topped the Billboard Jazz Chart for two months. In addition
Parker was named 'Best Jazz Artist Of The Year' by Rolling Stone magazine.
Recently Parker's latest album 'Maceo' was released (accompanying the
concertfilm of the same name). |
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