Started playing R&B with his friend Jimi Hendrix and one of his bass players Billy Cox who also lives in Nashville. They used to practice at Club Del-mor-roca on Jefferson street, one block from Jimmi's house. He was playing drums and fought himself to play bass. He was aware of guitar because Curtis Mayfield & The Impressions
were in Nashville during their recording. So on the days that they came to practice, he
would wash Curtis's Jaguar and learn to play Curtis's guitar for pay. A few months later
the word was out that Miss Franklin was coming to the city looking for a band to take out
on a tour with her and Jackie Wilson. In January 1970 he quit the group because of financial problems. Maceo and the rest of the group quit one month later to do their own thing. Its why James Brown had to call Bootsy Collins and his Peacemaker.
During the years away from the J.B's he was working with Al Green and Take 6 and producing gospel groups around Nashville. In the year of 1976 when Fred Wesley quit, Mr. Brown made him his musical director and bandleader up to October 1996 when he quit because of internal difficulties. So he left James Brown, firmly resolute to find peace and happyness and to do what he wants to do for the rest of his life. A few months later, Maceo Parker asked him if he wanted to join his band.Without taking a look at the scheddule, Charles Sherrell accept... From 1996 uptill now he is on stage with his old time fellow Maceo Parker doing backingvocals and an amazing "Mustang Sally" performance. In spring 2002 Sweet Charles also hoocked-up with the
dutch P-Funk band Gotcha!. Gotcha! was already working on their new album
when they met. But the album was not finished jet, so they decided to record
a few tracks together. The album will be comming out on the 18th of
september 2002.
Sweet Charles's new album will
be finnished soon too! |
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James Brown , Maceo Parker, Fred Wesley, Bootsy Collins JB's Reunited in Seattle - June 25th 2001 Review by Mike Teiss - (Excerpt) [...] Now if ANYBODY is funky, it's Sweet Charles Sherrell. Fred Wesley did a "Master Artist Workshop" at the Experience Music Project on the day before this show. He spoke of how James Brown is the undisputed king of funk and mentioned that with people like James, you know just by looking at him he's not an ordinary person, you can tell he's funky. The same goes for Sweet Charles. I had the pleasure of rapping with him for awhile before the show, very cool guy. Anyway, after "Think (About It)" Sweet Charles was featured singing "Mustang Sally" and he turned it out. Before Sweet Charles came out, the band played the groove from "Doing It To Death" in F, then after Maceo's calling "Down D" they went down to the key of D and then they played "Mustang Sally" in a similar down and dirty shuffle groove. Before leaving the stage, Charles did a little dance and his trademark karate kick. [...] One of the more memorable moments from the show occured during this song as James Brown called for the bass player to do a solo. Well this wasn't just any old bassist! Midway through the song, none other than Sweet Charles Sherrell had quietly slipped in and took over the bass duties. His solo DEFINED funk. Nice and bottom heavy, great use of syncopation --- just incredible. After hearing his solo I can't believe that Maceo hasn't showcased him on bass more. (I've never seen Sweet Charles play bass with Maceo's band but if I remember correctly Charles told me he does on occasion when I was rapping with him before the show.) Mike Teiss |
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James
Brown - Maceo Parker - Fred
Wesley - Bootsy Collins - Funky
Drummers
St Clair Pinckney -
Jimmy Nolen
- Divas - Sweet
Charles - Pee Wee Ellis